Saturday, 17 December 2016

Statement for Manchester School of Architecture


Having visited Manchester many times, I have witnessed the wide varieties of architectural styles that the city embraces and being able to live and study there will allow me to understand the culture of the diverse city. I am eager to learn of the environmental impacts and elements to architecture and explore the history and how our approach towards architecture has evolved to present day. I feel that MSA covers these aspects and that I will be able to engage with the course and obtain valuable knowledge and a better understanding of the built environment. I am pleased that MSA offers a skills programme in the first year, where I can develop a range of skills that are fundamental to the production of buildings. I also like how the students direct their own learning within the third year, as this is beneficial for developing confidence and innovation during the course. I feel that MSA holds a well-structured course that will provide me with the skills and initiative that I will need in the process of becoming an architect.

In July 2015 I visited the Taipei 101 in Taiwan. Although knowing the immense scale of the building beforehand, being able to observe the Taipei 101 from directly below was an extraordinary experience that exceeded my expectations. I had the opportunity to view the 660-tonne damper up close at the top of the Taipei 101, knowing how important the damper is for stabilising the building during an earthquake made the experience much more exciting.

Renzo Piano is my favourite architect as I am inspired by his outlook on architecture. Piano mentions that he has no particular style and doesn’t like the idea of putting his own stamp on a building. I admire this approach towards architecture because he focuses on creating designs that best suit the purpose and surroundings rather than designing a building that people can recognise as his work straight away. I particularly like his vernacular structures of the Jean-Marie Tjibaou Cultural Centre in Nouméa, New Caledonia, as it uses traditional materials of the location and resembles the type of hut used by the native people, in honour of their culture and lifestyle.

I would love to experience in person, the MAXXI Museum designed by Zaha Hadid. The modern design looks almost futuristic and is perfect for a museum displaying 21st-century contemporary art. I am intrigued by the dynamic feel of the interior and how the staircases and bridges connect all the different sections together to produce a fluid ambience. Another remarkable aspect is the use of natural light to illuminate the museum through the specially designed roof, this is a feature that can only be fully experienced in person. 

Gouache Paint Study of London


Digitally Transforming a Piano Into a Skyscraper

1) I scanned my observational study of my piano into Adobe Photoshop.
2) I then traced over the keys using the line tool.
3) This is the tracing on its own.
4) I then rotated the tracing and added colour using the fill tool.

Digitally Transforming a Piano into a Skyscraper - Final Outcomes

Here are two of the final outcomes. I have added my own photographs in the background to create more of an atmosphere.

Layered Card Pieces

These card pieces portray sections of the future New York City Skyline using tools and stationary to act as buildings.
Mediums used: 3mm Card, Watercolour Paint, Colour Pencil and Fine Line Pen

Layered Card Pieces

This photograph shows a clearer view of the 3 different layers that compose the card pieces.

Observational Colour Pencil Study of My Kitchen


Drawing Ink Study of Akihabara, Tokyo, Japan


Observational Pencil and Fine Line Studies



My Pencil study of 'Drawing Hands' by MC Escher (original artist)


Colour Pencil and Fine Line Pen Study of a Train Station in Taipei, Taiwan


Colour Pencil Study and Fine Line Pen Study of Porthcurno Building at Penwith College


Fine Line Pen Observational Study of ASDA, Hayle, Cornwall